The work of Voldemars Johansons merges his interests in visuality, sound and science and explores the perception and nature of experience in visible and audible domains. He creates experimental projects that synthesize art, science and technology to explore diverse phenomena and represent the experience through environments assembled from the visual, acoustic and spatial structures. His research interests address the organic combination of acoustic information and spatial forms in creation of sonic environments and sculptures, examining the joint morphology of acoustic, visual and spatial domains. In his work borders between the perception of the visible, the invisible and the audible dissolve to create a unified perceptual situation. “Art has the privilege of being able to reflect about the unproven, the unrecognized, thus broadening the horizons of thinking,” comments the author.

In 2007 he attains a degree from Royal Conservatoire, Institute of Sonology in Den Haag  where he  studied composition of electronic music with Paul Berg, Joel Ryan and Kees Tazelaar among others. After graduation his research interests pursue organic combination of acoustic information and spatial forms in creation of sonic environments and sculptures, examining the joint morphology of acoustic, visual and spatial domains.
Johanson’s work has been presented at events and diverse venues internationally: the Venice biennial of Architecture, Ars Electronica Center (Linz), BOZAR (Brussels), Ruhrtriennale (de), TodaysArt Festival (The Hague), STEIM (Amsterdam), Sound Forest (Riga), Unsound Festival (Krakow), CAC Vilnius, Concertgebouw Brugge, WRO Media art biennale (Wroclaw), LISTE art fair (Basel), the Latvian National Opera and elsewhere.